How do analogue and digital information systems shape the discourses of art and art history?
What is the epistemic impact of the transformation of analogue information systems such as libraries, photographic collections and publications into digital infrastructures?
How can digital information infrastructures and their evolving forms, contents and contexts be made an object of historical research?
What are the epistemic and ideological categories implicit in information infrastructures?
How do information systems construct the (art) object?
What is the difference between historical taxonomies and today’s ontological models? How would specifically art historical CIDOC models look like?
How much and what aspects of a non-digital object can be digitized, modeled and made accessible? What information gets lost in the process during digitization and modelling?
How do digital media and resources impact reading, writing and epistemic practices and methods?
Can we computationally analyze the digital methods and infrastructures of past research projects?
